ARTQUIZZ       
                           

02 Nabis

(Sorry-The pictures have been removed because of possible infringement of copyright)

 

Decorative Art- Pierre Bonnard, Maurice Denis,
                                  Ker Xavier Roussel, Edouard Vuillard,

Bacchanale, 1920
(French, 1870–1943)
Oil on canvas; 38 3/4 x 54 7/8 in. (98.5 x 139.5 cm)
Bridgestone Museum of Art, Ishibashi Foundation, Tokyo
© 2001 Artists Rights Society (ARS), New York/ADAGP, Paris
(put your mouse on the picture to see their source)

These artists played an important role in the development of decorative arts. They considered little paintings as elitists  and bourgeois, and wanted that their "decorations" serve as a link between  art and daily life.

After World War I many of the important characteristics of decorations-an emphasis on surface, flat forms, patterns, matte surfaces, non-narrative content, and large-scale or unusual formats-began to be absorbed into modern painting.


1. The term "Nabis" means "prophet" (as you saw in the preceding page).  What language is it in?

a-German
b-Italian
c-Hebrew


The Terrace, 1918
 (French, 1867–1947)
Oil on canvas; 62 3/4 x 98 1/4 in. (159.5 x 249.5 cm)
The Phillips Collection, Washington, D.C.
© 2001 Artists Rights Society (ARS), New York/ADAGP, Paris
(click to enlarge)

(the Terrace)

2. While descended from the illustrious tradition of 18th-century French compositions of Watteau and Boucher, their pictures are strikingly avant-garde in conception.

who painted this  painting?

a- Denis
b- Bonnard
c- Vuillard


 
Women in a Garden: Woman in a Polka-dot Dress (first version), 1890–91
 (French, 1867–1947)
Distemper over charcoal, pencil, and white chalk on paper, mounted on canvas
Kunsthaus Zürich, Society of Zürich Friends of Art with a contribution in memory of Ernst Gamper
© 2001 Artists Rights Society (ARS), New York/ADAGP, Paris   Women in a Garden: Woman in a Checked Dress (first version), 1890–91
(French, 1867–1947)
Distemper over charcoal, pencil, and white chalk on paper, mounted on canvas
Kunsthaus Zürich, Society of Zürich Friends of Art with a contribution in memory of Ernst Gamper
© 2001 Artists Rights Society (ARS), New York/ADAGP, Paris
Two studies for "Women in the Garden"
(click to enlarge)

3. A few days before the opening of the  Salon des Indépendants in 1891, the artist decided the panels would be better separated. The panels are called:  Panneaux décoratifs 1. 2. 3. 4.

What is the name of this artist?

a- Bonnard
b- Denis
c- Roussel

 

April, 1892
 (French, 1870–1943)
Oil on canvas
Kröller-Müller Museum, Otterlo, The Netherlands
"april"


4. In the series Poetic Subjects at the  Salon des Indépendants, each painting represents a month of the year, interpreted by some as being the different "season"s in the life of a young woman.

Who is this series by?

a- Vuillard
b- Roussel
c- Denis<


Ladder in Foliage, or Poetic Arabesques for the Decoration of a Ceiling, 1892
(French, 1870–1943)
Oil on canvas, mounted on cardboard
Musée départemental Maurice Denis, 
    Le Prieuré, Saint-Germain-en-Laye © 2001 Artists Rights Society (ARS), New York/ADAGP,
    Paris
"Ladder in Foliage, or Poetic Arabesques"
(click to enlarge)

5. The composer  Henri Lerolle  wanted a painting for his house which he ordered from the painter  Maurice Denis.  The artist's fiancée, the artist Marthe Meurier, was the model and painted the foliage. 

Where is this painting located?

a- on an outside wall
b- on the ceiling
c- on an inside wall

myth Musée de Hermitage  ruralfest Musée Hermitage
(click to enlarge)

6. Who are these paintings by?  

a- Bonnard
b- Roussel
c- Vuillard


La Place Vintimille, five-panel screen for Miss Marguerite Chapin, 1911
 (French, 1868–1940)
Distemper on paper mounted on canvas; each panel: 90 1/2 x 23 5/8 in. (230 x 60 cm)
National Gallery of Art, Washington, D. C., Gift of Enid A. Haupt
© 2001 Artists Rights Society (ARS), New York/ADAGP, Paris
(click to enlarge)

Place Vintimille. Because the rue de Bruxelles is one of the streets that leads to the Place Vintimille, the square was renamed (1940) the Place Adolphe-Max, in honor of the burgomaster of Brussels.

 
7.  Ordered by Marguerite Chapin in 1910, the artist used the view from his apartment.  The 5 panel screen is mounted on wood with wall paper behind it.

Who is this series by?

a- Vuillard
b- Bonnard
c- Roussel


The Abduction of Europa, 1919
(French, 1867–1947)
Oil on canvas; 46 1/4 x 60 1/4 in. (117.5 x 153 cm)
The Toledo Museum of Art; Purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey, 1930
© 2001 Artists Rights Society (ARS), New York/ADAGP, Paris
"The Abduction of Europa"
(click to enlarge)

8. This painting painted on the Mediterranean coast in the winter of 1918–19, soon after the end of World War I. In the myth of Europa, Zeus disguised himself as a bull, so as not to incite the jealousy of his wife Hera, and brought Europa to Crete, where she bore him several children.

Who painted this painting?

a- Denis
b- Vuillard
c- Bonnard

 White Roses, 1897–99
 (French, 1870–1943)
Distemper on canvas mounted on wood
Private collection
© 2001 Artists Rights Society (ARS), New York/ADAGP, Paris
  Young Goats, 1897–99
 (French, 1870–1943)
Distemper on canvas mounted on wood
Private collection
© 2001 Artists Rights Society (ARS), New York/ADAGP, Paris
(click to enlarge)

In 1895 the art dealer Siegfried Bing invited Denis to create a bedroom decoration for the launch of his new gallery, the Maison de l'Art Nouveau. Inspired by Robert Schumann's song cycle, "Frauenliebe und Leben" ("The Love and Life of a Woman"), Denis created seven panels that were hung high on the walls as a frieze. He also insisted on designing the bedroom furniture for the room. Much to Denis's disappointment, his furniture was roundly criticized and the seven paintings were separated after the exhibition.


9. Towards the end of 1895, the artist painted a group nearly identical to put on the dark purple walls of his wife's bedroom.

Who is the artist?

a-  Denis
b-  Vuillard
c-  Bonnard

Bacchanale, 1920
(French, 1870–1943)
Oil on canvas; 38 3/4 x 54 7/8 in. (98.5 x 139.5 cm)
Bridgestone Museum of Art, Ishibashi Foundation, Tokyo
© 2001 Artists Rights Society (ARS), New York/ADAGP, Paris
(click to enlarge)

In 1920, this mural was made for Royal Tiger furrier in Geneva.  This subjects contrasts the religious style of the artist.  It is not know if this painting was done as a model or after as a copy.

10. Who is the artist?

a- Bonnard
b- Denis
c- Roussel

 

page réalisée sur une idée de    JCS          


  ARTQUIZZ       

Classical Archives:musique baroqueClassical Archives
Antonio Vivaldi (1678-1741) Co. Cm.The Four Seasons, Op.8 No.1-4 (M.Reyto) No.1 -
La Primavera (Spring) in E, RV.269 1.Allegro (34k)
Domenico Scarlatti (1685-1757);It. Sonatas (John Sankey) Johann Sebastian BACH (1685-1750); Ger.
Brandenburg Concerti 1-6, BWV.1046-1051 - No.1 in F, BWV.1046: 3.Allegro. No.2 in F, BWV.1047
Henry Purcell (1659-95) Abdalazer 2.Rondeau (R.B.Reich)
Georg Frideric Handel (1685-1759) Organ Concerto Op.4 No.4 (59k) (L.Thompkins/R.Reid)

Links:
http://www.artcyclopedia.com/artists/roussel_ker_xavier.html

http://www.hermitagemuseum.org/fcgi-bin/db2www/quickSearch.mac/
gallery?selLang=English&tmCond=Roussel+Ker+Xavier

 

logomet.gif (537 bytes)This exhibition consists of more than 80 large-scale printings from public and private collections in Europe and the United States.

It offers a rare opportunity for American audiences to see the decorative projects carried out by these artists between 1890 and 1930, including many panels that have never been shown outside France. Furthermore, great effort has been made to reunite panels that were created for specific rooms, so that the ensembles can be seen together for the first time since they were dismantled from their original interiors.
Accompanied by a fully illustrated catalogue.

Educational programs have been made possible by the Georges Lurcy Charitable and Educational Trust. An indemnity has been granted by the Federal Council on the Arts and the Humanities. The exhibition is made possible in part by the Janice H. Levin Fund. The exhibition is organized by The Art Institute of Chicago in collaboration with The Metropolitan Museum of Art. 


Visit the online Met Store for related publications, reproductions, and other products.  
Learn more about this exhibition. 
View images from this exhibition. 

JCLS 7/2001